Come and join us at the Flodge to fundraise for SUDS Slot 8, You’re Killing Me! We will be engaging in amazingly fun trivia, some tunes and some more surprises yet to be announced. As well as fundraising for our show from ticket proceeds, we’ll also be holding a RAFFLE for iF Charity Gaza Relief Programme, so come along with some extra dollars (cash and card accepted). 

Ever seen a drag king? Ever wanted to try out drag? Well, you’d better come along to our fundraiser, where not only will the DEATHWATCH team be performing some top-notch impromptu drag before your very eyes, but we will be inviting anyone who has the itch to perform to a song or track of their choice, prepared or completely on-the-spot- anything goes!

Come and watch the incredible Belvoir production of Tommy Murphy’s (SUDS alumni!) Holding the Man on the 28th of March.

Join us for incredibly exciting new musical written and directed by one of our very own SUDS Members, Emily Whiting!!

It’s the late 1950s, Mark Rothko is commissioned to create a series of murals for the Four Seasons Hotel in New York City. Battling with his own relevance and place in the art world, a new movement of art threatens to trample his entire sensibility of what art is and should be. He becomes torn by self doubt, struggling to find the balance between life and death or rather scared to face the fact that the black is swallowing the red.

It’s the late 1950s, Mark Rothko is commissioned to create a series of murals for the Four Seasons Hotel in New York City. Battling with his own relevance and place in the art world, a new movement of art threatens to trample his entire sensibility of what art is and should be. He becomes torn by self doubt, struggling to find the balance between life and death or rather scared to face the fact that the black is swallowing the red.

It’s the late 1950s, Mark Rothko is commissioned to create a series of murals for the Four Seasons Hotel in New York City. Battling with his own relevance and place in the art world, a new movement of art threatens to trample his entire sensibility of what art is and should be. He becomes torn by self doubt, struggling to find the balance between life and death or rather scared to face the fact that the black is swallowing the red.

It’s the late 1950s, Mark Rothko is commissioned to create a series of murals for the Four Seasons Hotel in New York City. Battling with his own relevance and place in the art world, a new movement of art threatens to trample his entire sensibility of what art is and should be. He becomes torn by self doubt, struggling to find the balance between life and death or rather scared to face the fact that the black is swallowing the red.

It’s the late 1950s, Mark Rothko is commissioned to create a series of murals for the Four Seasons Hotel in New York City. Battling with his own relevance and place in the art world, a new movement of art threatens to trample his entire sensibility of what art is and should be. He becomes torn by self doubt, struggling to find the balance between life and death or rather scared to face the fact that the black is swallowing the red.

It’s the late 1950s, Mark Rothko is commissioned to create a series of murals for the Four Seasons Hotel in New York City. Battling with his own relevance and place in the art world, a new movement of art threatens to trample his entire sensibility of what art is and should be. He becomes torn by self doubt, struggling to find the balance between life and death or rather scared to face the fact that the black is swallowing the red.

It’s the late 1950s, Mark Rothko is commissioned to create a series of murals for the Four Seasons Hotel in New York City. Battling with his own relevance and place in the art world, a new movement of art threatens to trample his entire sensibility of what art is and should be. He becomes torn by self doubt, struggling to find the balance between life and death or rather scared to face the fact that the black is swallowing the red.

Frankie Vos hates that her friends have settled for mediocre boys and mediocre sex. She’s also a lesbian. The only solution? A sex strike for better working conditions.

Frankie Vos hates that her friends have settled for mediocre boys and mediocre sex. She’s also a lesbian. The only solution? A sex strike for better working conditions.

Frankie Vos hates that her friends have settled for mediocre boys and mediocre sex. She’s also a lesbian. The only solution? A sex strike for better working conditions.

Frankie Vos hates that her friends have settled for mediocre boys and mediocre sex. She’s also a lesbian. The only solution? A sex strike for better working conditions.

Frankie Vos hates that her friends have settled for mediocre boys and mediocre sex. She’s also a lesbian. The only solution? A sex strike for better working conditions.

Frankie Vos hates that her friends have settled for mediocre boys and mediocre sex. She’s also a lesbian. The only solution? A sex strike for better working conditions.

Join us in the Cellar Theatre at 1pm on Wednesday the 21st of February for our first General Meeting of 2024! If you're new or not, come along!
We’ll be hearing pitches for our fourth slot of the year, performing late April and early May, 2024!

Frankie Vos hates that her friends have settled for mediocre boys and mediocre sex. She’s also a lesbian. The only solution? A sex strike for better working conditions.

Join the cast & crew of SUDS Slot 2: Red for a relaxing paint & sip! Come prepared to have a fun evening with your friends and meet fellow SUDS members as you compose an artistic masterpiece.

Celebrate the new uni year the right way, at the Red Rattler Marrickville with the coolest uni society out there!

In Roller & Juliet, Shakespeare’s Romeo & Juliet is reimagined in a new, queer comedy retelling that trades swords for skates and medieval Italy for modern day Sydney.

In Roller & Juliet, Shakespeare’s Romeo & Juliet is reimagined in a new, queer comedy retelling that trades swords for skates and medieval Italy for modern day Sydney.

In Roller & Juliet, Shakespeare’s Romeo & Juliet is reimagined in a new, queer comedy retelling that trades swords for skates and medieval Italy for modern day Sydney.

In Roller & Juliet, Shakespeare’s Romeo & Juliet is reimagined in a new, queer comedy retelling that trades swords for skates and medieval Italy for modern day Sydney.

‘Worm Food’ is a black comedy about the peculiar world of palliative care. Join us for an evening of sibling rivalry, sexy doctors, medically-endorsed heroin and the kind of inane fun that only comes from being really, really bored in a hospital room for two weeks. 

Come one, come all, to the grand opening of the CBT Clinic!

Come one, come all, to the grand opening of the CBT Clinic!

Slot 3 is back in 2024 and better than ever! We’ve expanded the length which you can write, which is now 5-25 minutes, allowing for both your quickest sketch or a more complex piece. We’re also creating a writer’s group to meet over the summer break, to help support our writer’s process and workshop the pieces.