Actors Callouts

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The Goat, or Who is Sylvia? - Cast Callouts
Oct
9
to Oct 20

The Goat, or Who is Sylvia? - Cast Callouts

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SUDS Slot 1 AUDITIONS: The Goat, or Who is Sylvia 

By Edward Albee

Directed by Felix Tonkin

Produced by Ruby Scott-Wishart

Production Consultants: Aqsa Suryana and Rose Cooke


Auditions are open now for SUDS Slot 1 2025! Sign up for an audition at this link: https://forms.gle/cfG1dqTwCt8citdg7


And find more info here: https://docs.google.com/document/d/1Fc-kEbW1SZDmgzlsDRWAAn7-IkFArQ5qy86hLSJDRd0/edit?usp=sharing


About the Show: 

Edward Albee’s The Goat, or Who is Sylvia is a contemporary mix of comedy and tragedy. The play revolves around Martin’s wife, his son, and his long-time friend who discover that he has had an affair with a goat. Although the plot is sad and often confronting, as Martin’s world completely falls apart, the play is balanced with plenty of comedy through Albee’s witty dialogue and through the sheer absurdity of the situation. Fundamentally, I believe The Goat, or Who is Sylvia is about discovering that someone close to you (your parent, lover, or lifelong friend) has done something so unimaginable that you just don’t know how to react. 


The Characters:


STEVIE (F): Witty, intelligent, and gregarious, Stevie has enjoyed a long, happy, and almost perfect marriage with Martin. When she discovers Martin’s secret relationship with a goat, however, her life is turned upside-down. Her easy-going confidence in their marriage is shattered. As she comes to terms with the reality of what her husband did, Stevie finds an anger and a coldness within herself that she never knew she was capable of. 


MARTIN (M): Although he’s a highly successful, award-winning architect, Martin has been feeling a bit off lately. As his secret affair with a goat weighs on his mind, Martin is now aloof, ignorant, and unable to think straight. His head is in the clouds as his thoughts constantly return to Sylvia (the goat). After finally confessing everything to his lifelong friend Ross, Martin awkwardly stumbles through hostile interactions with his family as he comes to terms with himself. He remains distant and distracted throughout.

*Please be advised that this character kisses another character on the mouth on stage, this will be workshopped with an intimacy co-ordinator.


ROSS (M): Conventional, manly, and assured, Ross hosts a television program and has been friends with Martin for a very long time. When he arrives to interview Martin about his recent achievements, Ross realises that something is off. After learning of Martin’s secret, Ross feels obligated to write to Stevie and tell her everything. Throughout the play, Ross plays a narrow-minded yet level-headed audience surrogate, serving the role that a chorus would serve in a traditional tragedy. 


Billy (M): Passionate and Sincere, Billy is already grappling with the turbulence and insecurity of adolescence. He is perhaps the most distressed of all to learn what Martin did. Despite this, his first concern is for his mother, Stevie. When it comes to Martin (his dad), Billy is conflicted, at once despising him for destroying their family, and loving him as a father despite everything. As Martin weaponises the fact that Billy is gay, Billy wants his dad to accept him for who he is and hopes that Martin will fix the mess he created. 

*Please be advised that this character kisses another character on the mouth on stage, this will be workshopped with an intimacy co-ordinator.


The Audition Process:


For the audition, you are asked to prepare 1-2 monologues (in total) from the list which can be found at Slot 1 the Goat, or Who is Sylvia Audition Pieces. Memorisation is encouraged. 


During the audition, we may ask you to perform a cold-read from material we will provide, and/or we may ask you to perform one of your monologues again according to particular directions we may give. These directions will not be notes per-se, but are more about seeing your range, ability to improvise, etc.

For any questions or concerns, feel free to email slot1thegoat@gmail.com or message Felix, the director, on 0490 468 562.


Important Dates:


Callbacks will take place on the 19th and 20th of October. 


The show itself will run in late February to early March. 


Content Warnings:


Please be advised that this show will contain the following:


-   Strong references to bestiality

-   Misogynistic language

-   Homophobia 

-   Animal cruelty

-   References to incest

-   References to sexual assault and rape

-   References to paedophilia

-   Coarse language

-   Sexually explicit language

-   Fake blood

-   Strong domestic arguments


If you have any questions about these or about the content of the show in general, please feel free to email slot1thegoat@gmail.com


Furthermore, as previously mentioned, the characters of Billy and Martin perform a kiss on stage in the script. If you are thinking about applying for either character and have any questions about this or would not feel comfortable performing a kiss on stage, feel free to message the above email. 


Casting:


Casting will be race and gender blind, however the original gender of the characters will be played as written. 


We welcome everyone. No previous theatrical experience is needed.


All the best with your audition, see you soon!

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Cast Callout: Slot 1 – Screwd!
Oct
9
to Oct 23

Cast Callout: Slot 1 – Screwd!

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Frankie hates that her friends have settled for mediocre boys and mediocre sex. The only solution? A sex strike for better working conditions.
It should be noted that Frankie is also a raging lesbian, and no one knows (everyone knows).
To some, Frankie is intelligent and forthright, to others, she's a bitch in uniform. Frankie loves her friends more than anything but is finding it hard to watch them consistently fall for boys who range from boring and uninspired, to simply the worst! Disenchanted from years of watching her friends dim their lights to accommodate men who suck, Frankie decides to take matters into her own hands. When she stumbles upon a secret her best friend’s boyfriend is keeping, she decides to rally her friends into withholding what these boys had been taking for granted: sex. Yet, as the war wages on, some begin to crumble under the pressure, and friendships are pushed to their limit.
Screwd! is a period drama set in a fictional Australian high school in the summer of 2017. Dress-codes are loose, teachers unprofessional, and no one seems to do much work. This play is what happens when two girls, who grew up on a diet of soapy-teen dramas and campy sex comedies, discover Aristophanes’ Ancient Greek comedy.

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Cast Callout: Slot 10 – Troy's House
Aug
23
to Aug 30

Cast Callout: Slot 10 – Troy's House

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Troy’s House is a play set in suburban Canberra, that explores the drudgery and uncertainty of youth. It’s about skiving off and taking drugs and falling in love and fucking around. It’s about hanging out at Troy’s place while his mum sits on her La-Z-Boy watching daytime telly; and hearing him and his girlfriend have loud, but short sex in the other room. It’s about those feral urges that accompany young adulthood and the little voices in the back of your mind that reckon that maybe you don’t fit in the way everyone else does. Maybe you’re a bit of a shit person. Maybe your future’s not as bright as the midday sun as it gleams off Lake Burley-Griffin. What are you supposed to do when your adolescence, and the places and people that defined it, start to slip away?

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SUDS Film Festival 2023 – Actors and Crew Callout
Jul
20
to Aug 3

SUDS Film Festival 2023 – Actors and Crew Callout

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Hello! SUDS 2023 Film Festivals have finally started and while our directors and applicants are working on their films, we need more support from you!

We are looking for:
Producers
Cinematographers
Actors
Production Assistants

No experiences are required as long as you would like to be involved in some creative original short films!

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Actors Callout – Foreign Language Plays
Jun
15
to Jun 29

Actors Callout – Foreign Language Plays

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SUDS has a new initiative – Foreign Language Plays! This will be a collection of short plays written by students in a foreign language. It’s an opportunity to embrace the linguistic diversity of student theatre in writing, directing, performing and being part of a production team in a number of foreign language pieces!

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Cast Callout: Slot 8 – Blithe Spirit
May
22
to May 26

Cast Callout: Slot 8 – Blithe Spirit

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Charles Condomine, a wealthy novelist, invites a medium to a dinner party so that he and his sceptical friends can laugh at the absurdity of her seance. The medium, however, manages to summon the spirit of Charles’ ex-wife Elvira, who sets out on a personal mission to ensure she can live together forever with Charles in the afterlife.

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Cast Callout: Slot 7 – Eurydice
Apr
29
to May 31

Cast Callout: Slot 7 – Eurydice

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Eurydice by Sarah Ruhl is a surrealist retelling of the tragic Greek myth of Orpheus and Eurydice. The play follows Eurydice, and how she reconciles with the ongoing grief from her fathers death and the gap it has left in her life. It is fundamentally a play about love, exploring the complexities of Eurydice’s romance with Orpheus and separation from her Father. While surreal and dreamlike, Eurydice is an emotionally honest play that explores themes of grief, love, family, memory and identity within the framework of a classic tale.

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Cast Callout: Major – A Corpse in the Cabinet
Apr
19
to May 3

Cast Callout: Major – A Corpse in the Cabinet

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The SUDS major team are looking for a talented cast of 12 actors to bring this play to life!

A Corpse in the Cabinet is a farce set over the course of a federal election day in Sydney. In the early hours of a sweltering summer morning, Mariah, a young intern working on Prime Minister Desmond Chudmore’s re-election campaign, finds him mysteriously dead in his electoral office. In a panic and afraid of incrimination, she calls upon two of Chudmore’s most trusted advisors - Silas and Genevieve - to help her deal with this catastrophe. Through plenty of hair-brained schemes and constant bickering, the three begin to craft an intricate conspiracy to keep the story out of the public eye, and keep the voters onside.

Casting will be gender blind and race blind.

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Cast Callout: Slot 5 – The Real Inspector Hound and The Bald Soprano
Mar
25
to Apr 8

Cast Callout: Slot 5 – The Real Inspector Hound and The Bald Soprano

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The Real Inspector Hound is a murder mystery, following two theatre critics as they lay witness to a huge comedic spoof on a whodunnit set in an old country house. The Bald Soprano involves the near quintessentially English couples of the Smiths and the Martins as they are about to have dinner, as they talk and tell short stories.

Casting will be gender blind and race blind.

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Cast Callout: Slot 3 – How Will I Know?
Feb
19
to Feb 24

Cast Callout: Slot 3 – How Will I Know?

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Show dates: 5-8 April

New to SUDS? Want to act? Not sure how the process works? You’re in the right place. Slot 3 is a performance showcase dedicated specifically to new SUDS members! This year, the theme of the showcase is ‘How Will I Know?’ We’ve had student writers working away over the holidays, responding creatively to this question in 5-10 minute pieces of stage writing! Now we need actors to bring them to life. Yes, that’s you!

WHAT YOU NEED TO DO:

Fill out this form: http://bit.ly/3XJEal4

Once you get the email with your audition time, come to the Cellar Theatre on Science Road.

The audition will be a GROUP audition. You’ll be provided with some scripts to read through on the day. You don’t need to prepare anything before you arrive. You can wear whatever you want. Everyone who auditions will get a role in the showcase. We can’t wait to meet you!

THE PERFORMANCES:
The performances will take place in Week 7 of semester one. The showcase will take place at 7pm on Wednesday, Thursday, Friday and Saturday night. You will be allocated to two of these four evenings. We have so many pieces, we can’t put them all in one night! For example, you might be performing on Wednesday and Friday night, or Thursday and Saturday night. If you have any clashes with these dates (5-8 April), please be sure to let one of the executive team members at your audition know.

If you have any further questions, please reach out to us at sudsthewash@gmail.com or on Facebook or Instagram @sudsusyd.

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